The All Time Favorite "Cold Comfort Farm"

The Wodehouse comes from the comic actions of the characters and from the way the anomalous is made to seem perfectly normal in this world.

The really title of the film creates a sense of comic doom, with a farm named frigid Comfort, and so hardly a sic that anyone would want to live. Rafferty rightly notes the way this farm and its aliveness ar depicted in the film: "This is obviously a kinda grim go out of the agrarian life" (Rafferty 99). It is a view that does not daunt the heroine, however, for from the first, the heroine is what would once have been called "plucky" in fiction, though a less kindly view faculty be that she is simply blind to all the perils into which she is thrusting herself as she seeks a relative to provide her with a place to li

e now that she is an orphan.

Rafferty finds strength in her apparent willingness to face down all oddities in life as if they were only minor annoyances:

The great joke of Cold Comfort Farm is that the heroine absolutely refuses to acknowledge the power of her relatives' glum, smothering imaginative landscape; she skims over it as she would a unfermented that bored her (Rafferty 99).

Schlesinger, John. Cold Comfort Farm. 1996.

This is something of an overstatement, for the heroine does assimilate all that happens and the addresses it in her own terms. She does refuse to legislate each of her relatives' peculiarities the import they give them, and she dismisses much that they hold dear as no much than a barrier to their achieving something in life. She gives each of them in morsel the opportunity to change and to escap
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