A Danish Princess

We see she is the female child of a respected king and that she has the respect and empathy of her community, "None doubted why the daughter of Hoc / bewailed her doom when dawning came" (Finnsburg, 1). This is in contrast to the lowly brand of the narrator in The Wife's Lament. She mourns because she is exiled from her relatives and husband, is doomed to poverty, and faces a lonely white-haired age surrounded by hostile neighbors, "This cave is nonagenarian - I am all oppressed - / the valleys dim, mountains steep - a bitter home!" (Wife's, 2).

There is a distinct dispute between the emotional distress of Hildeburh and the female narrator. In the end of Hildeburh, she is mournful because she has lost her son, brother, and husband to death. She is in valid inconvenience and anguish, "when dawning came, / and under the sky she saw them lying, / kinsmen murdered, where most she had kenned / of the sweets of the domain!" (Finnsburg, 1). We be told that with the death of the three closest to her, Hildeburh is not unless justified in bewailing her

losings but she does not have to heed the Frisian recruit of honor with respect to grief their enemies, "Hildeburh needed not let in in value / her enemies' honor!" (Finnsburg, 1). Thus, we see that the pain, anguish, and mourning of Hildeburh are brought about by justifiable circumstances that transcend still the conflict between the Frisians and Danes.

"The Wife's Lament." Viewed on Feb 3, 2005: http://www.unbsj.ca/ arts/ side of meat/jones/mt/archives/000793.html, Apr 30, 2004, 1-3.

"The Finnsburg Fragment." Viewed on Feb 3, 2005: http://www. alcyone.com/max/ well-lighted/beowulf/xvi.html, 1-3.

In conclusion, we flock see that both of these women were basically use as pawns by men to help promote placidity in a war-torn era. However, the women are of quite contrary stations and social positions. Yet the lament of the narrator wife may invoke empathy but not real sympathy, oddly after reading of the enormous loss of Hildeburh. Therefore, while we can interpret with both women we can more readily empathize with the less selfish bewailing of Hildeburh than we can with the narrator wife mourning for lost love.

In the case of the
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