Furthermore, artists were one of the most probably individuals to invent new technology, mainly because they were inherently able to "think outside the box" and apply the spark of creativity on the everyday gadgets around them. Even though superficially unrelated, art and science are vitally intertwined "under the skin."
No one understood this far better than Leonardo da Vinci, the foremost artist/musician/sculptor cum inventor/architect/engineer in the 16th century. His grasp from the connection among art and science is glimpsed in this quotation: "Study the science of art. Find out the art of science. Develop your senses particularly learn how to see. Realize that everything connects to everything else" (1). Da Vinci followed his individual advice. He dissected corpses and made intensive nature studies, sketching everything from plants to people. His sketchbooks are filled with nature studies and imaginative sketches of futuristic machines along with other inventions. His comprehension in the scientific principles underlying his inventions is no doubt due in component to his avid observation of everything close to him and his precise documentation of everything he saw and idea about. His drawings illustrating rolling friction led to his invention with the normal cage that prevents balls and rollers from rubbing against every other in the leveraging from the lift:drag ratio (2, Fig. 1). His understanding of hydraulics, his scheme for canalizing rivers.
Figure 8. Robot Knight. "Leonardo's relentless quest for automation reached its climax in the anthrobot project formulated in Milan in 1495, likely in your festive occasion at the Sforza court. The robot was the consummate expression of the direct man-machine analogy a recurrent theme in Leonardo's anatomical studies.
From the learn of proportions on the way parts have been connected and functioned, da Vinci made a substantial contribution towards mechanization that characterized the Scientific Revolution. His machines had been ingeniously formulated sometimes enormously complex and fell into four primary categories: war, work, flying, and water/land machines. Of his several war machines, probably the most useful was the multiple crossbow, of which there is a working design at the National Museum of Science and Technology Leonardo da Vinci Milano (Fig. 4). This Rube Goldberg-type device depended over a sequential interaction of its various components in a series of moves. The aerial screw was a single of da Vinci's flying machines and is hailed as a precursor on the helicopter (Fig. 5).
Massey, Lyle. Anamorphosis via Descartes or perspective gone awry. The Renaissance Quarterly. 1997. 50(4), p. 1148.
Ramde, Dinesh. "Golden ratio linked to beauty, order in nature." Universal Journal: The Association of Young Journalists and Writers. Retrieved on May well 3, 2005, from http://ayjw.org/articles.php?id=358092
Of the quite a few work machines, the virtual mechanical calculating device is one of people that tie in most closely with each the Scientific and also the Industrial Revolutions. It was the precursor to the contemporary pocket calculator. "In 1967, a pair of da Vinci drawings were observed that depicted a model in your machine composed of geared wheels and rods that were purported to become a calculating machine in a position of performing additions. IBM sponsored the construction of a replica based on these drawings" (9, Fig. 6).
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