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Sunday, March 17, 2019
Ethnographic Paper :: essays papers
Ethnographic PaperThe Pleasure of PainThese long time anything toilet be considered art. The structure of a building, the human proboscis, music on the radio, love, Versacis new line of winter, and pretty transvestites walking down the track are just a few of hundreds of thousands of examples. That kind of art is overrated. nigh of these only exist because of society. As people grow and change so does the values and traditions that they are accustomed to. True art hangs on the w solelys of museums all over the world. Paintings by M nonpareilt, Da Vinci, and Picasso represent all that can be made beautiful by a mans touch. The enunciate tattoo comes from the Tahitian word tattau, which means to tap, and can be traced nates through a part of history. The art of tattoos has been evident since ancient Egypt and more than 1,500 years ago the Japanese marked criminals as a emblem of shame for their punishment (Britannica, 2000). In the nineteenth century tattoos were viewed as wi cked and grotesque, but as the twentieth century rolled by engineering science gave way to the trend. The electric needle created a sense of precision and control. This is how the mixed designs developed and tattooing became more about expression, rather than branding. It is a guarantee that tattoo and piercing artists can be found by the thousands in a metropolitan city. Their form of art may be simpler to an extent, but it has been growing in popularity for years. By using the body as a gate for expression, people can present themselves in a new light, and as a mean for recreating their image. The concept of transferring art on paper to the body for the mere purpose of self-pleasure is attracting all types of people. It is impossible to walk through a mall without spotting people of all ages with this type of branding. Young adults assume accepted this practice as a normal part of their culture. You cant escape it. Says Walter Hewitt, who recently completed a 19-schoo l study on tattoos and piercing (Vogel, 2000). There are big ones, small ones, tasteful ones, garish ones, and probably some temporary ones, and because tattooing is forever and also carries a moral heath risk known as regret, the decision to get one shouldnt be taken lightly. The customer is very vulnerable when immersion a tattoo and piercing parlor, because all their trust for a slap-up product is put in the hands of the artist.
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