Character Comparison †“Hills Like White Elephants” Essay

both(prenominal) Hills like White Elephants by Ernest Hemingway and William Faulkners A Rose for Emily optic around two women who atomic number 18 repressed by their lives circumstances. notwithstanding, outside of their feelings, their situations could non be more different. head for the hills Emily Grierson is trapped in a life sentence of solitude, despondency, and desperation. The girl, or dance, is equally as desperate, and her repression is not natural of loneliness or restraintit is the child of her granting immunity. Repression comes in several forms, but it will suffocate and consume you.In A Rose for Emily, Miss Emily Grierson lives a life of quiet turmoil. Her life has revolved around an dark loneliness al virtuallyly characterized by the harsh abandonment of goal. The most life-sustaining imagery utilized by Faulkner demonstrates Miss Emilys mental state. She, beingness self-imprisoned within the confines of her family line, is the human embodiment of her house Faulkner describes it as pertinacious and coquettish decay above the cotton wagons and the gasoline pumpsan eyesore among eyesores. (Faulkner 308).Miss Emily is alike decaying, but it is subtle and internalthe awful smell that begins to permeate from her residence is a reflection of the withering woman within rotting. Perhaps most tragically, Miss Emilys isolation is far from self-inflicted. Her blind devotion to the ones she chousesher father, her l over, her homeonly serves to further condemn her actions. Her neighbors disregard toward her inability to let go of her father after his death, despite the delicacy of her state, caused for her madness to fester. She told them her father was not dead.She did that for three daysWe did not say she was crazy then. We believed she had to do that. (Faulkner 311). Their thoughtlessness of all the warning signseven after her lovers vanishing, the downslope of her home, and Miss Emilys inability to accept realitywas the most pre ponderating form of repression in this story. Contrariwise, Hills like White Elephants does not deal with an obligate imprisonment. Jig is a young, modern woman who is faced with the decision of prolonging her freedom and the stability of her relationship or accepting motherhood and the responsibility that comes with it.It is not to say that motherhood is a prison it is that motherhood would be the death of everything she loved, mainly travelling, and the very stability of her relationship with her lover, the American. The American says, Thats the only thing that bothers us. Its the only thing thats do us unhappy. (Hemingway 115) which unequivocally shows that the center of conflict inside of their relationship is the presumed pregnancy. at that place are several instances in the story that the American reiterates Jigs options for her future.Although he expresses that he would support and love her no matter what the supreme choice is, she feels conflicted and her pain, which b uilds throughout the story and as the conversation progresses, becomes more obvious. What is most interesting is, as his second thoughts about the unspoken abortion spike, her opposite to discuss the topic any further grows in tandem. Although the two heroes love for one another is unequivocal, thither is the aching uncertainty between them Is there room for a child in their relationship built of travelling, drinking, and denudation?Jigs repression, meet like Miss Emilys, is inevitable because of their presented circumstance. These stories are alike in the way of both of the womens love for their contemporary situation. Although Miss Emilys heinous actions were intertwined with madness, they were based upon her love for her sweetheart and her father, disregard herself. She is so frightened of facing the word without her beloveds that she would rather lie adjoining to a long dead man than allow him to leave her.Comparably, Jig is excessively willing to put herself, and her ne eds, aside for the man that she loves. She is willing to restrict aside her doubtseven while the American begins to doubt what to doto do what is best for them to survive as a couple. She simply states, to her lovers dismay, I dont care about me. And Ill do it and then everything will be fine. (Hemingway 116). In spite of her fears and apprehensions, she knew that it would only assure them in the end and shield them from more difficulties. Jigs strength, vindicatory like Miss Emilys, is undeniable.They both processed their feelings solely based on their own merits. However flawed either of them may have been, it is evident that their actions are driven by their human need for companionship. Their love for their respective(prenominal) partners trumps that of personal safety and perception. They are willing to risk everything, from their health to their freedom, just to have more time with their lovers. Therefore, both stories are ultimately romantic. In closing, both women had th eir hindrances that repressed them terribly.Fear and love, being the main motivating factors in these stories, showed themselves in many ways and sheltered the women through their personal struggles. However skewed Miss Emily or Jig could be perceived as being, they were still worthy of compassion their respective actions towards preserving love were desperate, but also more than understandable. Love can drive people to do things that are out of characteror in Miss Emilys case, of unsound mind(predicate)especially when one of the parties involved have lost a sentience of their own being inside of it.With their love taking paramount over themselves in mind, their choices, despite what anyone might say, were acts of self-preservation. Works Cited Hemingway, Ernest. Hills like White Elephants. The Norton opening to Literature. Ed. Allison Booth, and Kelly J. Mays. New York W. W. Norton & Company, 2011. 113-118. Print. Faulkner, William. A Rose for Emily. The Norton Introduction to Literature. Ed. Allison Booth and Kelly J. Mays. New York W. W. Norton & Company, 2011. 308-315. Print.