Absalom, Absalom!; An Innovative Narrative Technique
Eng. 413. Major Authors: William Faulkner
Friday, December 06, 1996
        Guilt should be viewed by means of and through the eyes of more than 1
person, southern or otherwise. William Faulkner filters the
story, Absalom, Absalom!, through several minds providing the
reader with a dilution of its representation. Miss genus Rosa,
frustrated, lonely, mad, is unable to answer her deliver questions
concerning Sutpens motivation. Mr. Compson sees much of the
evil and the illusion of romanticism of the evil that turned
Southern ladies into ghosts. Charles Bon and Henry Sutpen are
evaluated for their motives through Quentin Compson and Shreve
McCannon. Quentin attempt to evade his awareness, Shreve the
outsider (with Quentins help) reconstructs the story and
understands the meaning of Thomas Sutpens life. In the novel
Absalom, Absalom!, a multiple consciousness technique is used to
reassess the treat of historical reconstruction by the
narrators.
        Chapter one is the scene in which Miss Rosa tells Quentin
about the early days in Sutpens life. Its here that Rosa
explains to Quentin why she wanted to visit old mansion on this
day. She is the one narrator that is unable to view Sutpen
objectively.
The first chapter serves as merely an introduction
to the history of Sutpen based on what Miss Rosa heard as a child
and her brief personal experiences.
        The floor of Absalom, Absalom!, can be considered a
coded activity. Faulkner creates the complex narration beginning
at chapter 2. It ironic that one of Faulkners greatest novels
is one in which the author only appears as the teller of the
story in one brief fraction; The expound of the heros arrival,
Thomas Sutpen, into Jefferson in chapter 2. Although Faulkner
sets the scene up in each section (The omniscient narrator), most
of the novel is delivered through a continual...
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